Ceramics and Flowers
for Where People Meet People
By Hayato Mizutani
Planten un Blomen, Hamburg, 2021
ceramics/flowers
“A large table with a diameter of 15 meters. A table where people can meet other people. I dream of a common get-together without obligations, but with the possibility of encounters.”
Other
Astrology
Pizza Orlando
Novel project
28.11.17, 22:51 – Nina: I’m crying as I write into digital nothingness, but it’s all real here with me. I want to be your partner, not your sidekick.
Excerpts of the manuscript were published in the literary journals BELLA triste and Die Epilog.
The text is represented by: Julia Eichhorn Literaturagentur
Held:innenhood
In collaboration with Julia Tielke and Maria Umbach
Stadtteilzentrum KroKus, Hannover, 2018
residency/installation/video/performance
Kronsberg becomes Held:innenhood, in which all the disappeared, forgotten or yet undiscovered heroines are at home. Most of them are everyday heroines. In a flashy outfit, Kronia wanders through the district and gets into conversation with different women who live there. In short, comic-like videos, Kronia’s adventures on the Kronsberg are presented in an exhibition at the end of the residence. The resulting videos are brightly colored windows through which we look behind the everyday life of the city and discover special women and their superpowers in amazement.
To Comfort You, Nina
Absolvent:innenausstellung HFBK Hamburg, 2018
installation/ceramics/sound
Lügen
In collaboration with Charlotte Eifler, Gesine Hohman und Hilkje Kempka
Uferstudios, Berlin, 2017
installation/performance/video
Overlying. Outlying. Practise lying. We have made a sensational discovery that will knock your socks off. The missing piece of the puzzle has been found. We invite you to the lie counter and turn water into wine. Speculative, digital, sporty.
A work by cobratheater.cobra
Archiv für Schönheit und Verlust
In collaboration with Anne Brammen, Hilkje Kempka, Maria Umbach
Uferstudios/Parkaue Berlin, 2016 — 2017
residency/installation/performance
A place where stories of loss are collected, a place where farewells are celebrated, a place where you come out more beautiful than you went in.
The flea market as an allegory of farewells, provides the framework for a space that is laboratory and beauty studio in one. Here, losses are anonymously recorded, categorized and archived, hands washed and nails painted. A fragile floating map of farewell is created.
A year later, the archive is opened. In collaboration with the neighborhood of the Uferstudios Berlin, a polyphonic sound collage develops that bundles the collected losses of the previous year into a net-like listening station.
A work by cobratheater.cobra, created in the context of AUSUFERN
Es war trotzdem total schön
In collaboration with Rabea Schubert and Maria Umbach
LIBKEN, 2016
installation/performance/video
Dirty Hero Tunnel
(what are we doing after the orgy)
In collaboration with Julien Francis Bisesi, Anne Brammen, Hilkje Kempka, Rabea Schubert, Maria Umbach
Kampnagel, Hamburg, 2016
installation/performance
Okay. Okay. Okay. I got it. I’m supposed to go in there now. I’m supposed to take off my damn shoes and someone grabs me softly by the shoulder and says: Come.
A theatrical installation that demands physical engagement from the visitors and promises a unique experience.
A work by cobratheater.cobra, created in the context DRECK:EIN APPARAT